Slow West (2015)
Dir. John Maclean
Starring: Kodi Smit-McPhee, Michael Fassbender, Rory McCann
A sardonic western that relies too much on tone.
Jay Cavendish (Kodi Smit-McPhee) is a young man, a Scottish immigrant, on a quest to find his lost love Rose (Caren Pistorius). Michael Fassbender is Silas, the misanthropic bounty hunter who promises to help find his lost love. Little does Jay know, Rose is a murderous outlaw, wanted by bounty hunters across the west; including a nasty looking Payne (Ben Mendelsohn). Outfitted in a pimp coat made of dead ewoks and a face tattoo, Mendelsohn is subtly dangerous without overacting. All the actors are appropriately understated within this detached western.
Unfortunately for Jay his lover has moved on without him. His ignorance of this fact is sadly ironic, and unfortunately for the film, it is his only character trait. The tone of the film is ironic and sardonic. Strangers appear in the middle of nowhere and spout vaguely philosophic, irrelevant monologues. It’s lighter and comedic, but with one-dimensional characters in a fatidic story, it’s an empty experience. The depiction of the American West adds to this emptiness. It’s too clean. Perhaps too many films depicting the west as a hellish desert filled with disease and pestilence, has soiled (all puns intended) my view of the West. The landscape in Slow West seems more like an untouched, magical forest.
Slow West has a cool and ironic tone, but there isn’t enough substance.